From Jamaica’s dub, to Detroit’s Drexicya to Sun Ra’s numerous works of psychedelic jazz and funk, Black sonic traditions have a rich offshoot rooted in futurism, and postmodern thought. This project situates itself in the rich histories of these sonic traditions. Using heavily effected, drums, synths, and bass instruments, I have attempted to create a sonic landscape that inspired by these traditions, invoking notions of cataclysm and drawing upon techniques from black electronic music.

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