Dingwen Liang

Her moving images and images are based on thinking in the context of the digital age. For the moving image,Our private lives have been unconsciously transformed by different electronic devices into a state where they can be seen and observed by others. Private life is then exposed to public view. And as we watch others, they watch us. Her current images work explores the intermediate realm between the visible and invisible when the observer is removed from the internal environment, peering inwards as a decentralised paradoxical presence, using the glass for clarity and invisibility. The presence of the subject is diminished by the use of the clarity and invisibility of the glass. They are independent of each other and con.The subject’s prominence is diminished through the strategic implementation of the transparent and concealed attributes of glass, resulting in an intriguing interplay between independence and containment within this context.Her moving images and images are based on thinking in the context of the digital age. For the moving image,Our private lives have been unconsciously transformed by different electronic devices into a state where they can be seen and observed by others. Private life is then exposed to public view. And as we watch others, they watch us. Her current images work explores the intermediate realm between the visible and invisible when the observer is removed from the internal environment, peering inwards as a decentralised paradoxical presence, using the glass for clarity and invisibility. The presence of the subject is diminished by the use of the clarity and invisibility of the glass. They are independent of each other and con.The subject’s prominence is diminished through the strategic implementation of the transparent and concealed attributes of glass, resulting in an intriguing interplay between independence and containment within this context.